Untitled

The Eras Tour | folklore section | Version 5

Alberta Ferretti custom 

Like all the other folklore set gowns, the special 1989 blue version is a custom piece by Alberta Ferretti. Based on its split-sleeve shoulder-cape attachments, neckline, and lace-like embellishments feel the most similar to the Version 3 pink dress. 

While completely on brand to drive home the point of the evening, this icy blue colourway feels the most mismatched for the folklore aesthetic. Which is actually a good thing because it in my opinion raises an eyebrow immediately and signals to the audience that something is Off because something else that this gown is nodding to is coming. 

The point was to convey that she had something up her sleeve – literally, figuratively, stylishly. But then again, there’s also something kind of fascinating thinking about folklore being an album predominantly cast as wandering through forests and trees, walking through thick underbrush to discover different parts of yourself that perhaps you’re not entirely ready to face or put to words. And to me that made my heart stop is … doesn’t that sound a lot like that moment Taylor emerged from the “Out of the Woods” music video in that pale blue J. Mendel pleated dress.

Untitled

The Eras Tour | folklore Section | Version 4

Alberta Ferretti Spring 2023 custom

I don’t think I have to expand to anyone which folklore dress is my favourite now. Taylor wears a (say it with me now) greeeeeeeeeeeeeeeeen version of this SS23 Alberta Ferretti moment. And it is glorious and wood nymph fairy goddess-worthy of a folklore set.

I really enjoy the addition of the cape so that it slideshows more neatly with the other folklore gowns.

Untitled

The Eras Tour | folklore Section | Version 3

Alberta Ferretti custom

Splitting the difference between her two previous Alberta Ferretti dresses, this chantilly lace confection combines the saturated mauve from Glendale 1 with the split sleeve cape-like detail of Glendale 2 into this dusty rose chiffon gown for Las Vegas 1. The lace detailing here feels antique and old world in the best way while the light fabric feels just ethereal and lovely – so fitting of folklore.

Get the look: Free People, $250.00

Untitled

The Eras Tour | folklore section | Version 2

Alberta Ferretti custom

Well we are certainly in for quite a ride with this tour if Taylor plans to continue to serve fresh versions of her looks. On Night 2 of Glendale, AZ Taylor switched up her goddess gown for her folklore set to this tiered, cream gown. The split sleeve details feel almost capelike, which I love. the flutter cap sleeve also feels simultaneously dainty and armour-like.

I think this could have made a stronger impact in a different colour.

Get the look: Free People, $168.00

Untitled

The Eras Tour | folklore Section

Alberta Ferretti custom

In my predictions post, I had noted that I wouldn’t be surprised if we got beautiful goddess references to cottagecore in the vein of her 2021 Etro Grammys moment.

This mauve-toned, chiffon gown mixes bohemian elements thanks to its ruffles and flutter sleeves and lace with very subtle stage-worthy embellishments. Well done.

Get the look: Free People, $118.00

Untitled

Vogue | March 2015

Alberta Ferretti Spring 2015 

I love the desert vibe of this dress and this set up. This entire Alberta Ferretti collection has been said to have drawn inspiration from Joni Mitchell and the fashions of the 60s and 70s. 

Karlie is wearing Look 31 from Marc Jacob’s Spring 2015 collection. 

Check out everything from Taylor (and Karlie’s) spread in Vogue here.

Untitled

Vogue | March 2015

Alberta Ferretti Spring 2015 

I love the desert vibe of this dress and this set up. This entire Alberta Ferretti collection has been said to have drawn inspiration from Joni Mitchell and the fashions of the 60s and 70s. 

Karlie is wearing Look 31 from Marc Jacob’s Spring 2015 collection. 

Check out everything from Taylor (and Karlie’s) spread in Vogue here.

Untitled

“All Too Well” | 56th Annual GRAMMY Awards | January 26, 2014

Alberta Ferretti Pre-Fall 2013

Worn with: Arika Nerguiz heels

I’m not exaggerating when I say that my hands are shaking as I type this up.

I have every bit of respect to Taylor for doing this for us – her fans. This moment was purely just for us and I loved every minute of it. I hope we all remember and cherish this gown as one of the most momentous occasions in Taylor’s career.

Untitled

“All Too Well” | 56th Annual GRAMMY Awards | January 26, 2014

Alberta Ferretti Pre-Fall 2013

Worn with: Arika Nerguiz heels

I’m not exaggerating when I say that my hands are shaking as I type this up.

I have every bit of respect to Taylor for doing this for us – her fans. This moment was purely just for us and I loved every minute of it. I hope we all remember and cherish this gown as one of the most momentous occasions in Taylor’s career.