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“I Can See You” music video | July 7, 2023

This is not the first time that I’ve had to make a post like this. If you’ve been around long enough, you’ll recall the masterpost I made of all the archival outfits seen on past Taylor’s in the “LWYMMD” music video.

This was such a lovely trip down memory lane!

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“I Can See You” music video | July 7, 2023

Roberto Cavalli ‘Beaded Fringe Dress’ – $6091.00 (no longer available)

Taylor bringing forth all the feels by wearing the exact same outfit (pulled from the archives) that she wore to open the Speak Now Tour all those years ago. And never one to let a single detail slip – she also threw in some “Long Live” arm lyrics for the extra sentimental of us (aka all of us).

Worn with: Everybody boots

Also worn: Speak Now Tour

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“Karma” music video | May 26, 2023

Celia Kritharioti Spring 2023 Couture

My initial thought upon seeing this scene was Taylor being the ferryman of souls across the river Styx, particularly given all the other mythical references in the video.

It’s an interesting role for Taylor to step into and not only supports the ideas of karmic retribution and the afterlife, but Taylor is also no stranger to talking about rebirth and reincarnation. Here, she not only plays with another facet of what karma means for her and her life – she also positions herself as the arbiter of other people’s karma.

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“Karma” music video | May 26, 2023

Paco Rabanne custom (pictured similar)

The ‘Lightbulb’ and ‘Hourglass’ scenes gave me the most to think about in the music video as it relates to Taylor’s relationship with fame and the longevity of her career. What I love most about this video is the striking and intentional visuals. They’re simple, but grab you.

This Paco Rabanne two piece appears custom, but a similar version of it walked the Fall 2023 runway. The makeup, hair, and excess of gold actually remind me of a 2011 CoverGirl ad she once was in – anyone else remember that one? I do love the sleeved runway version but going sleeveless was totally the right call functionally for the demands of the scene.

There’s a contrast here in portraying herself as a light source (very “Dear Reader” of her) and speaking to her innate ability to continue shining amidst darkness and struggles – while also portraying herself burning out from the efforts to shine as brightly as she can, as long as she can.